pull
the other
surely
it's not news that democracy
is
alive & kicking in modern Greece
or
that the UK PM's phone was hacked
by
a posh coke fiend on a butt of sack
not
that a brat of the Bollinger pack
would
call for a rag when his nose was blocked
or
that Greeks would vote for early release
from
a long bygone public spending spree
that
German bankers still want their own back
though
the roads to their summer homes aren't cracked
nor
that Tories have been taking the wee
ever
since they re-took the right to fleece
this
just in guess what if the same old crock
of
dealers ain't pulled again it's smile please
Elis,
the younger of our boys, asked if I had included chair-fart in any of
these blogs. Chair-farts, or indeed, their overgrown cousin the ignominious table fart, I replied, being
odorless, colourless and tasteless, are neither here nor there. But
if he insisted, I should take a stab at writing one or two of them
up.
To
the average sock puppet, then, the exigencies of metamorphosing anima have
deep significance. Just as a smell of feet – whether good or bad –
permeates the interview room and lends it a special authenticity; so
the creaking chair or table fart that punctuates any kitchen convo
between husband, wife or lover speaks of taste in furniture, choice
of habitat or quality of floor polish that has sauced or soured their
relationship. Though sonic booms, for the present, are a thing of
past concords and echoes from the future, something will have to be
done about them if they are to have any prospects at all. Therefore, ignore chair fart at your peril!
Now
I'm not one to snigger mischievously above six or seventeen times
a day, so for me to snort into scorn the common-or-garden fart of
kitchen chair leg on parquet flooring is not an artifice devoid of
meaning. However my fellow men, women & children do agree, I tend
to laugh rather often when nothing appears
to be funny, and to employ underlined verbs precisely.
A
fart, any given fart, is in any case a form of malapropism. Rather
like the infamous actor dismissed from his repertory company for
uncontrolled bouts of sneezing during performances – though he and
his outbursts were beloved of audiences - the bogus (ie the raspberry tainted) fart which
accompanies an academic dispute over the ending of Mozart's Requiem or
a knife fight breaking out during the vivisection of genetically engineered mice
is both impertinent and ridiculous. But people tend to turn dumb,
deaf & blind; and though their noses may twitch, there is often a
perfectly innocent excuse for opening a window or turning on the
Xpelair.
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